Persepolis animated
In a New York Times feature today, we read about the process of adapting _Persepolis_ to the screen. In addition to a lot of information and focus on Marjane Satrapi herself, we also learn some things about European animation and how it works.
Ed Alcock for The New York TimesMarjane Satrapi and Vincent Paronnaud, with whom she wrote and directed the film “Persepolis,”
based on her comic book, mugging for the camera in a style reminiscent of her drawings.
posted by James | 10:33 AM
2 Comments:
http://americanhistory.si.edu/muybridge/
http://en.wikipedia.org/wiki/Eadweard_Muybridge
Not sure if this is what I should do.
Murals have several positive qualities that set them apart when relating their primarily text lacking story. One is being their most often placed in a public place and on a durable surface. A wall, on the ceiling of a building, these are all places a mural may end up.
See: http://www.vallejoarts.org/mural/mural.htm
Another is that they're often simplistic, easy to understand what is occurring in a basic manner without further explanation. Such a couple of the symbols on the mural in the above link. One of them being the tragedy of Julius Caesar. A second being an image of people singing.
Besides their semi-permanent construction they are capable of showing their little story in bright colors.
http://en.wikipedia.org/wiki/Mural
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